Sample Music Education Lesson Ideas

or ... "How to have fun with a subject that's already pretty cool!"

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And now, back to our regularly scheduled program ...

IDEA:  This general lessons page is for YOU -- why not download some easy-to-use music learning activities?  They are great for any classroom and teacher!

Read on ...

It's nice every once in awhile to break up the choral, instrumental, or general music class with some of these tried and true activities for musicians of all ages - especially those who enjoy learning AND having fun!

1 - ECHO RHYTHMS

 

§ Lesson goals: Students learn to listen and process rhythm patterns carefully, engage in echoing, develop psycho-motor skills, and release physical energy (i.e., let off some steam!)

 

§    How:  Clap easy rhythm patterns (3 or 4 beats long) to the group. Have them immediately clap the same pattern back to you. Keep it simple!

 

Variations: As the students get better with this, develop the ideas, such as:

 

§    Try a variety of speeds.

§    Have them help pick a nonsense syllable (like DUH!), and say it (DUH, DUH, DUH-DUH, DUH) instead of clapping it (1-2-3+4). In this way, you develop a more broad range of psycho-motor skills.

§    Subdivide them into smaller groups, eventually letting each student echo you individually.

§    Use various "body percussion" - stamping, thigh slaps, snaps, whispers, and the like. This can also be used to help demonstrate loud and soft (dynamics).

 

§    Cross-curricular:   In literature (especially poetry), art, cultures study, or history, they can make rhythm instruments with beads, cans, sticks, paper plates, and the like.  Allow them to play along in class on songs, during videos where music is featured, or in games and activities.  Every culture has had instruments and performance arts, so it won't take much research to find out what the Mayans or Aztecs used for music! (Herb Alpert, I believe ...)

 

§    Expand and advance:  Try a variety of time signatures: 3/4, 4/4, 3/8, and so on.

§    Write out the patterns on the board or on a piece of paper. This builds notation skills!

§    Write out numerous patterns; see if they can identify which one was performed and echoed.

§    Introduce rhythms from a song you are currently rehearsing or plan to rehearse.

§    Have a contest with teams and echo rhythms. Give the winners extra credit, or allow them to choose the next song in the rehearsal.

§    Let students lead the group.  You sit next to the other students and "be a participant".

2 - QUESTION AND ANSWER RHYTHMS

 

This helps develop creativity - the answer is always different than the question!

  §    Lesson goals: Students listen and process rhythmic patterns, internally compose a

      variation in response, and physically engage in producing it!

 § How:  Clap a basic rhythm pattern (3 or 4 beats) to an individual. Have them         

       immediately clap a DIFFERENT pattern back to you. It need only be slightly         

       different -- keep it simple!

  §   Note:  This is a confidence builder when done in a positive manner, as others listen and 

      support each individual's "answer.”  The leader must be encouraging, positive, and         

      praise every student!  This develops listening, creativity, and other psycho-motor         

      skills, while releasing endomorphens (your brain's happy juice -- c'mon, SMILE!) and 

      physical energy.  

 

§ Variations:  Many listed earlier for ECHO RHYTHMS can also be used here.

§   Try a variety of speeds.

§   Speak a nonsense syllable (like TAH or BLAH) in a rhythmic pattern.

§   Use various "body percussion" - stamping, thigh slaps, snaps, whispers, and the like.  Don't miss the chance to teach about loud and soft (dynamics) or various tone colors (timbre).

 

§ Cross-curricular:  Perform rhythms to accompany poetry.  Use homemade rhythm instrument to relate historical accounts.  In gym class, walk, sing, or exercise to a beat.

 

§ Expand and advance:  Write out patterns on the board or on paper. Point to one, and have a student perform it for another student. Then, the second student must compose a response. This REALLY, REALLY, REALLY builds reading and notation skills!

§   Try a variety of time signatures: 3/4, 4/4, 3/8, and so on.

§   Write out numerous patterns, and have them identify which one was performed and echoed.

§   Play "Mystery Rhythm" -- using patterns on the board or paper, they must determine if the one clapped/performed was printed out, or not shown.  This is for advanced rhythm readers.

§   Split the class into pairs, letting the first person be the "question", and the second being the "answer".  After a few moments, let them switch roles.  Walk around, listen, compliment, and select a pair to demonstrate one of their "sentences" for the rest of the group.

§   Let students assume the "leader" role for the group; sit down next to the others and participate.

If you enjoy these few refresher ideas, remember that MMME exists to help you teach music more effectively and enhance your school's or church's music program!

* * * * * * *

3 - TIMBRES (COLORS OF SOUND)

 

§    Lesson goals: Students will explore and learn that different timbres (sound colors) provide a variety of sounds used to create interest in art composition of all styles.

 

§    How:  People can explore their own voice and its various tones and colors!  Pick a simple word like "Yes" or "Fine"; pronounce it with a different inflection each time it is spoken. (Try saying "Fine" excitedly, bored, admiringly, sarcastically, and so on.)  See who can rack up the greatest number of "voice colors."  Sound variations help to demonstrate timbre.

§    Another How:  Let students pick out music from their own collection which has a variety of sound colors. Have them play an excerpt in class, explaining the different sounds they heard. 

 

§    Teaching Christian values:  Share and explain how standards for appropriate music selections are important.  This may lead to what exactly IS God-pleasing entertainment!  Allow for plenty of discussion and questions.  Hints:  Values are not extracted from the musical INSTRUMENTS and SOUNDS; focus on lyrics and meaning.   Also, point out that most radio and TV stations have NO interest in the values expressed in music.

§    You pick a musical selection rich with a variety of sounds.  Challenge them to hear every tone color, instrument, percussion effect, and so on.  Remember, voices are instruments, and voice colors can change.   Voices combined for harmony also create new tone colors.

 

§    Cross-curricular:  Using a variety of sounds and/or instruments, have the students work in small groups to write or present a story or puppet show with sound effects.  Or, produce a commercial for a product.  Listen to soundtracks from movies or backgrounds from cartoons, shows, or commercials. This easily leads to discussion on how musical and sound arts are used to create moods, suggest feelings, and provide emotional expression.

 

§    Expand and advance:  Bring in instruments of any type, or invite someone who will do this. There may be older band students who will do a class demonstration.  Or, find a parent, community orchestra member, vocal ensemble, hand bell group, or whatever. Discuss timbres.

§    This can also be done with simple rhythm instruments, a piano, or a cheap little keyboard. (You'd be surprised how many kids have them at home!)  Have students explore how many different sounds can be produced with each instrument -- loud, accented, smooth, majestic, soft, gentle, and the like.

§    You can have the students write a brief description of the instruments and their assorted "colors".  You can give a quiz by demonstrating a sound, then having students assign a color to the sound. (Bowed violin = yellow, loud trumpet = purple, and so on.)

§    As you listen to other musical groups in your school perform for a concert, assembly, chapel, or church service, have your students discuss the timbres and variety of sounds.

Go ahead -- download the page ... none of this is original anyway... it's been around a long, long time! But you'll see that it still works!   Have fun as you help musicians in your program to "sing to the Lord a new song!"

 

4 - Fun with FORM

 

§ Lesson goals: Students will IDENTIFY and LABEL basic form in music.

 

§ How:  From nursery rhymes and hymns to pop songs and symphonies, musical art has form.  Form changes occur when elements of music change, like the speed, melody, harmonies, rhythmic action, and so on.  Using simple directives, like raising the hand when you hear the chorus, or standing tall for a verse, students learn to recognize and signal awareness of FORM.  Some of the best examples are found in songs with verses and choruses/refrains.

 

Now, here are some FORM learning activities to use in any classroom.

§    Draw capital letters A and B on the board.  Explain that pointing to A means the verse; B,  the chorus.  As you sing or listen to a song with verse and chorus, point to the correct letters.  Suggested songs: Yankee Doodle, Swing Low Sweet Chariot, Go Tell It On The Mountain, Jingle Bells, Battle Hymn of the Republic, How Great Thou Art, Jesus Loves Me.

§    Using the same song, have students write an A and B on two separate pieces of paper.  As you sing or listen, hold up the correct label.  Other variations to this idea include using different colors or animal shapes instead of letters.  Or, be creative by sitting and standing, raising or lowering hands, and the like.

§    Select individuals from the group to stand in front and indicate changes.

 

§ Expand:  Write out the entire form of a whole song.  Keep it simple at first; use numerous verse and chorus tunes.  For example, 3 verses and choruses of Yankee Doodle would be written: A B A B A B.

§    Have a contest.  Stop the music after a verse or two; see who charted the form correctly.  

§ Cross-curricular:  In gym or large area, play or sing while holding hands in a circle.  During A, walk around in one direction.  When it changes to B, change directions.  This can also be done simply while walking in one direction and then another.

§    In art, draw pictures representing the song, its form, or the impression created.

§    In poetry/literature, different rhythmic meters and stress provide great examples for understanding how rhythm and form interact to create a mood or setting.  

§ Advance:  You could stop here; you have done good things.  But, there’s more than A B form!   Why not try theme and variation?!   Use A, A1, A2, A3 to indicate changes.  Sing I’ve Got The Joy, Joy…  Each time the verse changes in the words, speed, or rhythmic texture (due to the syllables), it demonstrates a variation of the original.  

    1.        I’ve got the joy, joy, joy, down in my heart …

    2.       I’ve got the love of Jesus, love of Jesus, down in my heart …

    3.       I’ve got the wonderful love of my blessed Redeemer down deep in the depths 

               of my heart …

 

 

5 - DYNAMICS: Loud, soft, and in between

 

§ Lesson goals: Students will UNDERSTAND and DEMONSTRATE simple dynamic changes.

§    Volume changes in music are important; learning to listen for, identifying, and performing them can be enjoyable.

 

§ How:  If you choose to make this only a listening exercise, just play any recording and have students signal when a volume change occurs.  But it’s more fun to involve multiple learning levels!  Indicate changes physically -- crouching when soft, and standing tall for loud.  Or, sing your favorite songs with a different volume each time.

 

     § Here are more DYNAMICS learning activities to use in any classroom.

 

§    Draw letters or symbols for loud and soft on the board.  In printed music, loud is f (forte), and soft is p (piano.)  While singing a well-known song, point to the symbols to indicate desired volume.  After a bit, select students to be the leader/pointer.

§    Using a well-known song, use 2 simple hands signs to indicate loud and soft instead of pointing to a board.  For example, open arms means loud, and hands together means soft.  Later, allow others to be leaders.

§    Invert the previous exercise.  Have students spread out.  As you play or sing using loud and soft, let students indicate changes with hand signs.

§    Using homemade rhythm instruments, rhythm sticks, or simple hand claps, tap along with a song or just keep a steady beat.  Then, change from loud to soft as directed.

 

§ Expand:  Introduce an in-between volume or two; medium loud (mf – mezzo forte) or medium soft (mp – mezzo piano) work well.  Practice them first by making a sound soft, then medium, then loud, and back to soft again.  This helps reinforce many skills.  Then, apply these volume changes to any of the previous exercises.

§    Reinforce these 4 volume levels with physical movement or images.  One example is tip-toe (p), little steps (mp), regular steps (mf), and big steps (f).  Or, progress from lying down, crouching, and standing, to reaching high.  Or, use ants, mice, dogs, and horses!  Play a recording or sing while employing these helps in order to make it fun and sink it into reality! 

§    Invert the previous exercise.  While a leader sings, plays, or controls the volume of a recording, the rest of the group employs the corresponding helps, identifying dynamics.

 

§ Cross-curricular:  Try a spelling bee with dynamics.  Spell cat softly.  Spell tree loudly. 

§    Any poetry or dramatic literature generally lends itself well to changes in volume.  

§ Model dynamic and voice color (timbre) changes as you read aloud.  Encourage this in others.

§    While observing a video segment (cartoon, commercial, feature) containing music with dynamic changes, label the apparent volume levels.  Or, discuss the effect produced.

 

§ Advance:  Encourage choral and instrumental musicians in your school to use obvious dynamics well in performance.  

§ Most music includes dynamic changes.  If not, insert your own.

§    Sing hymn verses with increased expression and meaning by agreeing upon appropriate dynamics.

For more information, contact:
dbritton@mmme.org


Copyright 2002 by MMME
Last revised: May 26, 2007.